PUBLICATIONS

Peer-Reviewed Articles

Kavanagh, Emma. ‘“Du Paradis Rêvé”: Parodies of Japonisme in Saint-Saëns’s La princesse jaune’. Cambridge Opera Journal (2024). Available Open Access.

Kavanagh, Emma. ‘“Qu’il est loin mon pays”: Staging (Be)longing in Massenet’s Sapho’. Dix-Neuf 27, vol. 4 (2023): 247-267. Available Open Access.

Edited Volumes

Kavanagh, Emma and Sarah Kirby, eds. Music, Autobiography, and Constructing the Self; guest-edited double special issue for the Journal of Musicological Research; proposal accepted for fourteen articles of 7,000 words, with co-written introduction; publication of both issues foreseen early 2025.

Reviews

Kavanagh, Emma. ‘Boulevard des Italiens, Benjamin Bernheim (tenor), Frédéric Chaslin (conductor), Orchestra del Teatro Comunale di Bologna, Deutsche Grammaphon, 2022’. Nineteenth-Century Music Review (2025): 1-6.

Price, Dylan and Emma Kavanagh. ‘Review: Natalie Abrahami and Ann Yee (dir.), Rusalka (Royal Opera House), 21 February – 7 March 2023’. Romance, Revolution and Reform, Issue 6 (2024): 161-165. Available Open Access.

Conference Proceedings

Kavanagh, Emma. ‘“Du paradis rêvé”: The Orient in the Male Imagination in Saint-Saëns’s La Princesse jaune’. In The East, The West, The In-Between in Music, ed. David Vondráček, 59-69. Munich: Allitera, 2021.